Eda Holmes directed this intriguing work with three great actors at CanStage. A lovely production that was a copro with the Centaur Theatre in Montreal.
Had the pleasure of work on Norman Yeung's new play, Theory, at the Tarragon Theatre. A smart work nicely directed by Esther Jun.
I created music for Laurence Lemieux's beautiful piece on Vimy Ridge, JUSQU’À VIMY.
It was a great process that included a trip to Vimy for the 100th anniversary, staying in town with grateful locals and many trips to memorials and cemeteries.
As NOW Magazine said:
"Among the work’s masterful elements are Jeremy Mimnagh’s poetic wall projections and John Gzowski’s layered score, in which found sound is balanced against delicate singing and explosive orchestrations, adding weight to this elegant, unarguably heartfelt, dance."
Set music to a lovely solo piece by Hanna Kiel, on the excellent Anisa Tejpar. Jacob Niedzwiecki added some cool video.
If one word summed up the Dracula experience it would be 'epic'. Had a great time working on a wordy and thoughtful script by Liz Lochead, based on the book. Director Eda Holmes did a beautiful job and kept me busy. Wrote a song, some 'Bulgarianish' vocal music, lots and lots of music and the book for wireless mics for the run. I spent quite a bit of time in rehearsal with an electric guitar, making up music as the show was blocked, then took that home and orchestrated it for a low string quartet as well. Ended up recording 40 cues in one session with the string quartet, with a stack of charts about an inch thick.
Here's the big song, Tom O'Bedlam from the show, with me singing.
and another bit from the show here with Brenna MacCrimmon on vox, Anna Redekop on viola, Sarah Fraser Raff on violin, Amber Ghent on cello, Fil Stasiak on bass and me on guitar.
Kate Hennig's great adaptation of Oscar Wilde's children tales was a fun lunchtime show for the Shaw Festival. With director Christine Brubaker we put together a 55 minute show with a couple of hundred cues, a few songs and room for interaction with a group of kid audience members who went through a pre show workshop. We kept the music light and bubbly sounding, though the individual stories all were quite dark for a kids show, though it really was for adults just as much as kids. Here's the Nightingale song, as sung by the lovely actor Emily Lukasik.